New Netflix movie ‘The Last Days of American Crime’ gets a rare 0% Rotten Tomatoes score

New Netflix movie ‘The Last Days of American Crime’ gets a rare 0% Rotten Tomatoes score
View photosLast Days Of American Crime - Anna Brewster as Shelby Dupree, Édgar Ramírez as Graham Bricke in The Last Days Of American Crime (Credit Marcos Cruz/NETFLIX)New action thriller The Last Days of American Crime has scored a rare 0% rating on Rotten Tomatoes after a slew of terrible reviews.Helmed by Olivier Megaton, the director…

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Last Days Of American Crime – Anna Brewster as Shelby Dupree, Édgar Ramírez as Graham Bricke in The Last Days Of American Crime (Credit Marcos Cruz/NETFLIX)

on Rotten Tomatoes after a slew of terrible reviews.” data-reactid=”32″ type=”text”>New action thriller The Last Days of American Crime has scored a rare 0% rating on Rotten Tomatoes after a slew of terrible reviews.

The Purge and Minority Report, and have revelled in battering it, not least for its hefty 148-minute runtime.” data-reactid=”34″ type=”text”>Critics – 18 official reviews have been filed so far – have noted similarities to concepts seen in movies like The Purge and Minority Report, and have revelled in battering it, not least for its hefty 148-minute runtime.

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Empire: “The Last Days Of American Crime takes a potentially entertaining, if silly, premise and drains it of any reason to get invested.”” data-reactid=”37″ type=”text”>Writes Empire: “The Last Days Of American Crime takes a potentially entertaining, if silly, premise and drains it of any reason to get invested.”

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The Last Days of American Crime (Credit: Netflix)

Indiewire: “A braindead slog that shambles forward like the zombified husk of the heist movie it wants to be, The Last Days of American Crime is a death march of clichés that offers nothing to look at and even less to consider.”” data-reactid=”58″ type=”text”>Per Indiewire: “A braindead slog that shambles forward like the zombified husk of the heist movie it wants to be, The Last Days of American Crime is a death march of clichés that offers nothing to look at and even less to consider.”

Vulture adds that it’s ‘yet another insipidly sleazy, lizard-brain shoot-’em-up that through its very dullness demonstrates how rote such ghastly fare has become in our culture’.” data-reactid=”59″ type=”text”>The Hollywood Reporter brands it ‘instantly forgettable tough-guy fantasia’, while New York Magazine’s Vulture adds that it’s ‘yet another insipidly sleazy, lizard-brain shoot-’em-up that through its very dullness demonstrates how rote such ghastly fare has become in our culture’.

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Rolling Stone goes on: “This is not good action cinema. This is not even good alligator-brain cinema.”” data-reactid=”61″ type=”text”>With another reptilian reference, Rolling Stone goes on: “This is not good action cinema. This is not even good alligator-brain cinema.”

It’s also noted that the timing of the movie’s release is particularly unfortunate, given its scenes of graphic police brutality.

Variety: “It’s an offensive eyesore in which looting and anarchy are treated as window dressing, law and order come in the find of mind control, and police brutality is so pervasive as to warrant a trigger warning.”” data-reactid=”63″ type=”text”>Writes Peter Debruge in Variety: “It’s an offensive eyesore in which looting and anarchy are treated as window dressing, law and order come in the find of mind control, and police brutality is so pervasive as to warrant a trigger warning.”

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